Showing posts with label choices. Show all posts
Showing posts with label choices. Show all posts

Friday, 2 January 2009

If You Want to Walk on Water, You Have to Get Out of the Boat

No, this isn't a religious blog...its a brand new year blog designed to help you with your heart's desires!

It is a wonderful statement that is food for thought, and a great analogy for taking responsibility for miracles in your own life.

It all comes down to what we want out of life and how to make it happen. Life really is what you make it, and waiting for that most wanted thing to come in to your life just isn't enough. We have to make a contract with ourselves to go out there and get it!

Lets use an example:
You are a very talented ceramicist and your spare room is full of your creations. You really want to show them off to the world, and maybe even sell them. Or at least you'd be happy with them being so admired so much you'd get commissioned to make one just like it for someone if you can't bear to part with that particular one(funny how the human mind works!). You and I both know that allowing the pieces to sit there doesn't get your work known or appreciated by a wider audience. Are you waiting for someone to discover you? Are you thinking that you just need the right opportunity to come along and change everything?
You could be waiting a long time...
To rely on someone or something in this way is just putting your skills in the closet and hoping someone may open the door one day and find out that you are an amazing artist and they will promote you.

The analogy, "If you want to walk on water, you have to get out of the boat", implies taking responsibility for your own destiny, risks and all.

Whats the worst that could happen? Someone says they don't like your work? Well I don't like liver and bacon, but a chef doesn't take offence - he knows we all have different tastes. You may think people will laugh at you and your work. That's every artist's fear - of being judged and laughed at - that someone will say, "Don't give up your day job!" The truth is that the negative voice in your head will try to convince you of these things. What is actually the case is that art is art and a personal creative journey. Talents are meant to be shared and we all share a purpose in life - to build bridges, architectural ones or ones that bridge gaps between people through audio and visual communication.

So in order to "Walk on Water", that personal miracle, we have to take that brave step outside of our comfort zone and see what we can do! Keeping your focus on your goal will prevent you from sinking and you'll be surprised how much you can achieve!

Write a New Year Plan today. Start with your desire and use the following SMART technique to get you on your way:
S - Specific - set a small goal first
M - Measurable - make a plan and evaluate regularly
A - Attainable - break it down in to manageable steps
R - Realistic - keep it simple and achievable
T - Time Frame - set a sensible time limit for each step

For example:
Goal - to have an exhibition.
First Step - to let people know you exist!

Specific - Make contact with other artists and let friends and family know what you are doing
Measurable - make a plan on how(through local clubs/having a party/making business cards/website)
Attainable - gather information by researching on Internet and local publications
Realistic - Dedicate 2 mornings a week
Time Frame - 4 weeks from now you'll know a few more people and will have made some headway on how to get promoting yourself

Don't forget to keep your journal up to date so you can document your progress. Its great to look back and see your achievements.

I hope this food for thought gives you a boost for the start of this new year!
Best Wishes for a Creative 2009.

Trees of Winter © Deborah Eileen Burrow 2008

Saturday, 23 August 2008

Encouragement from Professional Artists


I read the following words just when I needed the encouragement to continue with my efforts. Today I’ve decided to share them with you - I hope they bring you the same comfort and sustenance. Enjoy!
  • “Create a supportive group for yourself.” – Christina Acosta
  • “Maintain a daily connection with your ideas and your personal mark-making. You can achieve this with just one thirty-second drawing a day.” – Jen Bradley
  • “Trust your instincts and find your own way. Learn from artists you admire personally and professionally. Don’t be too hard on yourself as you discover who you are and how to best express it.” – Cynthia Britain
  • “. It’s never too late to be what you should have always been.” – Robert Burridge
  • “If you’re painting your emotions, it’s your visual self.” – Bonnie Casey
  • Collect samples of everything you like, things that move you. Take them home and analyse what it is that moves you…look for the ‘Aha!’ Then do it your own way.” – Cheri Christensen
  • “You need a dedicated space where you paint, even it it’s a corner of the living room. When you put things away, you put your art life away. Make a space for your art.” – Connie Connally
  • “Take classes from people who are technically gifted. Get a profound grasp of the technical side.” – Brian Davis
  • “Talent is helpful, but it is the constant working that moves and artist to a new level. Also, don’t fight your true self.” – Rhonda Egan
  • “The most important thing is not to worry about selling your art. Just play. Play with all the materials. So much of what makes a painting beautiful are the accidents.” – Anne Embree
  • “I am interested in painting the sublime, that aesthetic experience of being overwhelmed and filled with awe at something so majestic that it evokes a sense of the eternal.” – Nicora Gangi
  • “Just stick with whatever looks and feels right to you. Try lots of things and see what might fit you best.” – Vince Gasparich
  • “I stress the value of simplicity. That one clear response, the message behind the painting, should sing out loud and strong. Select the essence of what you are painting and leave out all extraneous detail.” – Jean Grastorf
  • “I believe that every artist has his or her own vision of the world; our job as artists is to find and express that vision. The most important thing is to keep exploring, yourself and your materials.” – Carole Katchen
  • “Time to paint isn’t something you find, it is something you need to make.” – Linda Kemp
  • “Accepting yourself is where you find your fufillment.” – Liz Kenyon
  • “The best tool for good composition is one’s instinct. Painters must be loose and nurture confidence in themselves.” – Madeline Lemire
  • “Remember that you are not painting a picture, you are creating a painting.” – Peggy McGivern
  • “You paint your heartbeat. You have to follow what you respond to, not what you think someone else expects from you.” – Joan McKasson
  • “Paint often and joyfully.” – Helaine Mclain
  • “Don’t worry about being influenced by others, because it is natural. But you need to make it your own so you can go on.” – Carla O’Connor
  • “Keep a book of clippings of paintings you really like, such as unusual compositions and good designs.” – Camille Przewodek
  • “Try to stay out of your own way. The biggest Challenge is this.” – Barbara Rainforth
  • “Your nature should dictate how you paint. You may love a painting and a painter, but it might not be you. Everyone has a certain greatness; your greatness is your uniqueness developed. So you have to discover you uniqueness.” – Susan Sarbeck
  • “Work hard and get the basics.” – Marilyn Simandle
  • “At times, put yourself in uncomfortable situations with your artwork. Enrich your life with experiences.” – Shawn Snow
  • “You have to make yourself uneasy at times to make a painting successful.” – Leslie Toms
  • “Learn to love nature and love life. If you appreciate life and nature, your paintings with show this.” – Lian Zhen
Words of encouragement indeed!
Keep Creative and Happy,
Debs

Above painting, "Wheatfield View" © 2008 Deborah Eileen Burrow

Thursday, 7 August 2008

Lateral Thinking to Earn Cash

How many times have you sighed with despair at your bank statement because not enough money is coming in from your main creative job? How many times have you also had little wacky ideas that you have brushed aside as, “silly” or, “too distracting”?

I’m going to suggest you recall these little ideas and put them into perspective - then a little time spent on thinking of things you haven’t thought about before.

The most effective way to do this is with a kind of mind map – this can be fun and most revealing!

Start with a small circle in the centre of a piece of A4 paper. In the centre of this circle write, “Ways to Earn Cash around {my Creative Job}”. Then proceed with adding arms that hold ideas, which then split again into related ideas and so on.

It’s a brain drain first, then the details can be added on further stems.

To find an online resource to further help you with this, try Tony Buzan's site.

Brighten up your page with colours and symbols too :)
To help convince you, I already know of people who do reviews, make key rings, small prints, CD covers, teach, coach, and take photos, to supplement their professional artist’s income. I can also vouch for the unexpected joy and satisfaction that is possible by spending a bit of time away from the easel / computer/ sewing machine / craft table etc. Sometimes we get too close to our work, and this is ideal to make you take a break, but still earn some money.

Let your brain run away with you and get creative with new ideas. When you have written it down, get researching on the net for what you might need. For example, you may be surprised to know that you can make 100 fridge magnets for £39 (sterling). Selling them at £2 for example would be a profit of £160. At your exhibition, local craft shop, online shop etc. selling these could quickly earn you extra income. Another much more lucrative example would be giving demonstrations or running workshops – you can earn several hundred pounds a day! We all have skills we should make the most of besides our creative job.

Good luck and I wish you all the best with your ideas.

Above photograph and contents © 2008 Deborah Eileen Burrow

Sunday, 11 May 2008

Keeping Curious

When we are children we are constantly asking questions. When we are grown-ups we listen to children asking questions and are amazed at their curiosity about everything around them. Somewhere along the line as we grow up, answers about everyday life are answered and we tend to ponder over bigger questions. Sometimes, however, we get so bogged down in our daily routine that we forget, or don’t have time for, the bigger questions. In fact, the chances are we forget how to be curious all together, especially about our creativeness and how deep it goes.

Even as working creative people we can get stuck in a rut. Are you still curious about your creative works, or are you caught in a routine with it?

Keeping yourself curious means you allow yourself to step out of your creative comfort zone and get that child-like wonder back. For each of us this will be different, but getting in touch with the reasons behind our creative choices is a good start. If I was to say that I’m curious about your art – how do you do it and why? …could you ask yourself the same question and answer it?

I’m hoping you can, and you will remember how curious you were about your chosen art when you first started out. You’ll remember how inspired you were and how easily you asked questions.

Truth is, to remain fully and deeply creative we must continue to be curious ~ it keeps our creative brain alive and functioning with an eagerness to try out new things to keep us fresh.

My last curious search led to a profound change in my attitude to my painting. I discovered something about how it worked and I discovered even more about myself. Without that intrepid step I would still be stuck. Now I am enjoying myself more and I’m still curious because new questions were stimulated and I need to find the answers to those too.

There before me lies an interesting path. Is yours greeting you in the same way?

Keep positive and assertive,

Best wishes :)

Painting above right: The Cracks Are Showing (c) 2008 Deborah Eileen Burrow