Lateral Thinking to Earn Cash

How many times have you sighed with despair at your bank statement because not enough money is coming in from your main creative job? How many times have you also had little wacky ideas that you have brushed aside as, “silly” or, “too distracting”?

I’m going to suggest you recall these little ideas and put them into perspective - then a little time spent on thinking of things you haven’t thought about before.

The most effective way to do this is with a kind of mind map – this can be fun and most revealing!

Start with a small circle in the centre of a piece of A4 paper. In the centre of this circle write, “Ways to Earn Cash around {my Creative Job}”. Then proceed with adding arms that hold ideas, which then split again into related ideas and so on.

It’s a brain drain first, then the details can be added on further stems.

To find an online resource to further help you with this, try Tony Buzan's site.

Brighten up your page with colours and symbols too :)
To help convince you, I already know of people who do reviews, make key rings, small prints, CD covers, teach, coach, and take photos, to supplement their professional artist’s income. I can also vouch for the unexpected joy and satisfaction that is possible by spending a bit of time away from the easel / computer/ sewing machine / craft table etc. Sometimes we get too close to our work, and this is ideal to make you take a break, but still earn some money.

Let your brain run away with you and get creative with new ideas. When you have written it down, get researching on the net for what you might need. For example, you may be surprised to know that you can make 100 fridge magnets for £39 (sterling). Selling them at £2 for example would be a profit of £160. At your exhibition, local craft shop, online shop etc. selling these could quickly earn you extra income. Another much more lucrative example would be giving demonstrations or running workshops – you can earn several hundred pounds a day! We all have skills we should make the most of besides our creative job.

Good luck and I wish you all the best with your ideas.

Above photograph and contents © 2008 Deborah Eileen Burrow

Following the Visual Voice

What speaks to you when you see another piece of art / sculpture / craft?

For me it’s colour and texture. Obviously it’s a huge influence on my own painting. However, it doesn’t come naturally that just because I see something that takes my breath away that I can reproduce something of the same ilk!

What tends to happen is that artists, through experimenting and understanding of themselves and their work, develop a recognisable style – the visual voice. The conveyance of the artist’s meaning through inspiration, subject matter, art elements, composition and the process.

“[The visual voice] is the piece of magic inside ourselves - the amazing actuality within us.” – Cristina Acosta

Luckily for me as an intermediate discoverer, there were artists who are willing to share their experiences and advice, and since taking note of them, I am making a more focussed route to my desired approach to creating. (A quick mention is deserved here of Megan Chapman – she has been amazingly helpful through her blogspot and review.)

The resulting understanding of what was within and how to express it was the catalyst to beginning to find my visual voice. Then came the sifting out of what was working and what wasn’t. Before that I had spent most of my life looking at art and experimenting with different media and had already built up an inner connection with certain styles. I admit I'm not there yet, but I'm well on my way :)

It’s never too late get in touch with yourself again, and I suggest that a reminding of your original source of inspiration is very important to your creative path.

How to do this?

Well, keep visiting galleries / workshops / museums / art shops and the like. Make a date to visit events when they pop up. It’s too easy to get bogged down in your studio. Even a walk along the coast or nearest nature reserve can do it. I own a dog and it’s a great way to get outside and see things as they change with the seasons and light. Even if I’m not painting what I see, what I do get is a refreshing of my connection with my creative self. Stepping out for a few hours blows away cobwebs and allows new inspirations in.

So you see it’s vitally important to keep the passion alive for your art. Without it our works won’t be inspiring to others or have any authenticity to them. The spirit in your work will be evident through the response of the viewer.

Good luck with your journey – there’s always something to chase away the blues and get in touch with your visual voice.

painting above: Summer Evening at Shingle Street (c) 2008 Deborah Eileen Burrow