Encouragement from Professional Artists

I read the following words just when I needed the encouragement to continue with my efforts. Today I’ve decided to share them with you - I hope they bring you the same comfort and sustenance. Enjoy!

• “Create a supportive group for yourself.” – Christina Acosta
• “Maintain a daily connection with your ideas and your personal mark-making. You can achieve this with just one thirty-second drawing a day.” – Jen Bradley
• “Trust your instincts and find your own way. Learn from artists you admire personally and professionally. Don’t be too hard on yourself as you discover who you are and how to best express it.” – Cynthia Britain
• “. It’s never too late to be what you should have always been.” – Robert Burridge
• “If you’re painting your emotions, it’s your visual self.” – Bonnie Casey
• Collect samples of everything you like, things that move you. Take them home and analyse what it is that moves you…look for the ‘Aha!’ Then do it your own way.” – Cheri Christensen
• “You need a dedicated space where you paint, even it it’s a corner of the living room. When you put things away, you put your art life away. Make a space for your art.” – Connie Connally
• “Take classes from people who are technically gifted. Get a profound grasp of the technical side.” – Brian Davis
• “Talent is helpful, but it is the constant working that moves and artist to a new level. Also, don’t fight your true self.” – Rhonda Egan
• “The most important thing is not to worry about selling your art. Just play. Play with all the materials. So much of what makes a painting beautiful are the accidents.” – Anne Embree
• “I am interested in painting the sublime, that aesthetic experience of being overwhelmed and filled with awe at something so majestic that it evokes a sense of the eternal.” – Nicora Gangi
• “Just stick with whatever looks and feels right to you. Try lots of things and see what might fit you best.” – Vince Gasparich
• “I stress the value of simplicity. That one clear response, the message behind the painting, should sing out loud and strong. Select the essence of what you are painting and leave out all extraneous detail.” – Jean Grastorf
• “I believe that every artist has his or her own vision of the world; our job as artists is to find and express that vision. The most important thing is to keep exploring, yourself and your materials.” – Carole Katchen
• “Time to paint isn’t something you find, it is something you need to make.” – Linda Kemp
• “Accepting yourself is where you find your fufillment.” – Liz Kenyon
• “The best tool for good composition is one’s instinct. Painters must be loose and nurture confidence in themselves.” – Madeline Lemire
• “Remember that you are not painting a picture, you are creating a painting.” – Peggy McGivern
• “You paint your heartbeat. You have to follow what you respond to, not what you think someone else expects from you.” – Joan McKasson
• “Paint often and joyfully.” – Helaine Mclain
• “Don’t worry about being influenced by others, because it is natural. But you need to make it your own so you can go on.” – Carla O’Connor
• “Keep a book of clippings of paintings you really like, such as unusual compositions and good designs.” – Camille Przewodek
• “Try to stay out of your own way. The biggest Challenge is this.” – Barbara Rainforth
• “Your nature should dictate how you paint. You may love a painting and a painter, but it might not be you. Everyone has a certain greatness; your greatness is your uniqueness developed. So you have to discover you uniqueness.” – Susan Sarbeck
• “Work hard and get the basics.” – Marilyn Simandle
• “At times, put yourself in uncomfortable situations with your artwork. Enrich your life with experiences.” – Shawn Snow
• “You have to make yourself uneasy at times to make a painting successful.” – Leslie Toms
• “Learn to love nature and love life. If you appreciate life and nature, your paintings with show this.” – Lian Zhen

Words of encouragement indeed!
Keep Creative and Happy,
Debs

Above painting, "Wheatfield View" © 2008 Deborah Eileen Burrow

Lateral Thinking to Earn Cash

How many times have you sighed with despair at your bank statement because not enough money is coming in from your main creative job? How many times have you also had little wacky ideas that you have brushed aside as, “silly” or, “too distracting”?

I’m going to suggest you recall these little ideas and put them into perspective - then a little time spent on thinking of things you haven’t thought about before.

The most effective way to do this is with a kind of mind map – this can be fun and most revealing!

Start with a small circle in the centre of a piece of A4 paper. In the centre of this circle write, “Ways to Earn Cash around {my Creative Job}”. Then proceed with adding arms that hold ideas, which then split again into related ideas and so on.

It’s a brain drain first, then the details can be added on further stems.

To find an online resource to further help you with this, try Tony Buzan's site.

Brighten up your page with colours and symbols too :)
To help convince you, I already know of people who do reviews, make key rings, small prints, CD covers, teach, coach, and take photos, to supplement their professional artist’s income. I can also vouch for the unexpected joy and satisfaction that is possible by spending a bit of time away from the easel / computer/ sewing machine / craft table etc. Sometimes we get too close to our work, and this is ideal to make you take a break, but still earn some money.

Let your brain run away with you and get creative with new ideas. When you have written it down, get researching on the net for what you might need. For example, you may be surprised to know that you can make 100 fridge magnets for £39 (sterling). Selling them at £2 for example would be a profit of £160. At your exhibition, local craft shop, online shop etc. selling these could quickly earn you extra income. Another much more lucrative example would be giving demonstrations or running workshops – you can earn several hundred pounds a day! We all have skills we should make the most of besides our creative job.

Good luck and I wish you all the best with your ideas.

Above photograph and contents © 2008 Deborah Eileen Burrow

Being Resourceful

Last time we looked at the definition and personal perception of success. This time I’m going to talk about resources and how important it is to our journey.

The successful creative person is reliant on a pool of resources. These will be wide and varied, including inner resources of talent, determination and discipline, and external resources of tutors, family and internet. Wherever you are in your life, you will always have resources to draw upon. Sometimes these will be obvious and sometimes they’ll be ones you hadn’t considered before. In order to get in touch with all of the resources available, try out this exercise to bring them together. This will be eye-opening and also useful for future reference.

Using a spider diagram, or in a list, write down the resources available in your life. Consider the following life areas where those resources might be:

• Health & Fitness
• Home & Family
• Career / Work / Business
• Wealth
• Relationships / Romance
• Friends
• Leisure
• Spiritual

Once you have completed this exercise, which may incidentally take one or more sittings, go through your groups of resources to highlight the most important. There will be one or two major resources that are critical to your success and enjoyment of your creative pursuit. To give these major ones priority, write them out on a card and pin them to your dreamboard, or notice board. They will help you continue your journey with peace of mind, and will be there when you’re faced with a challenge and need to know where to go for advice. A visual reminder of your resources will always help you feel supported and connected. Perhaps you could extend this to adding photographs – people, places, books, computer etc etc. Be as creative as you want!

All the best with getting creatively resourceful. :)

Above painting: Permanent Bright Connections © 2008 Deborah Eileen Burrow

Next time I'll be looking at practical issues of earning cash while working on your bigger projects...

A Different Perspective

The article this week is inspired by a chat I had with a fellow creative, self-employed person. It’s all about work and how we view it. As a creative person we can find it hard to adjust to our creative jobs on many different levels. The two main symptoms are where the person feels that being paid for something they love doing is fraudulent, and where the person becomes a workaholic because they just can’t get let up on the drive to be perfect. Sometimes there’s a convoluted mix of both of these issues. These issues are often deep seated and can sometimes be detrimental to our overall success. Basically though, most of this comes down to our personal definition of success and what it means to us.

Today I invite you to see it from a different perspective, and work on defining your meaning of success in your career and life. I am confident that this will help a lot on your way to achieving your ultimate goal. Our perceptions can be changed to work better for us.

The Encarta Dictionary definition of success is:

• The achievement of something planned or attempted
• Impressive achievement, especially the attainment of fame, wealth or power
  

Does this ring true with you? Of course it does - it does with me too. But, what distorts the path of success is how the prospect of being successful sits with us emotionally, physically, mentally, spiritually and environmentally.

Here lies and exercise for us – to do some serious thinking and balancing of our ideas of success. Write down on a big piece of paper these 5 life element headings - Physical, Mental, Emotional, Environmental and Spiritual. Under each heading, write down a list of words or sentences that describe the effect that success would have or does have on that area of your life. When you have done this, have a good look at what you have written. The aim is to have a good balance of things – and mostly positive. You may however discover some imbalances and negative effects. These will need to be dealt with.

I strongly believe we can find answers to any arising issues ourselves, but we may need to enlist the help of family, friends and even a coach to overcome any problems.

I know I have only touched on this subject, but a different perspective is all I wanted to prompt in you. From here I know you can go forward and make progress and realise that fighting with yourself is disadvantageous to your success. Hold on to the fact that even at rest your contribution is undiminished – your creative works still exist, and if you’re a professional, your work is still out there working for you all the time.

Next time, in 2 weeks, I'll be talking about Being Resourceful. In the meantime, feel free to comment, and or share your experiences.

Above painting: Creation Continues 1 © 2008 Deborah Eileen Burrow

Overcoming Avoidance

Creative Avoidance is a normal part of the creative person’s life. It presents itself in many ways, and until we get to know ourselves well in the creative process, we may not recognise it very well as it can be quite subtle! Mostly though, we can identify our avoidance tactics by realising that we haven’t got on with our project as we planned and we can’t see a good reason why.

But it’s ok because once we are aware of our tactics, we can choose to say no to them, and get on with our plan. By the way, these tactics can range from re-sharpening your entire colour pencil set to taking up a job you said you’d never do!

This main thing to remember is that avoidance in creativity exists, and we should allow it to exist because from time to time you will be able to analyse it to find out what exactly you are avoiding. That reason could be anything from boredom to a particularly difficult problem. Once the self awareness is switched on, you can take steps to resolve the avoidance issue. Things that help are:

• Patience with yourself
• Allowing, not forcing the project to grow
• Nurturing your creative side
• Keeping attentive to your environment
• Keeping in touch with other creative people
• Understanding your personal concept of success
• Allowing yourself free time
• Walking through the experience
• Feeling the fear and doing it anyway
  

Whatever happens, be resourceful so that you can find solutions to problems at every stage. Often the life of a creative person can be isolating and it’s important to remain connected to the community of your speciality. Remember, most of all, we all have the answers to our difficulties at our fingertips and it’s up to us to choose the path of solution. Working SMART (previous blog) will help you to self-coach your way to the answers and method to achieve your goal.

Good luck, and I'll see you in 2 weeks, where we'll tackle a tricky subject - the perception of success.

Express Yourself!

This week I draw upon artist Ian Roberts’s wisdom and vision. I can’t put it better than this so I'll use direct quotes. Enjoy his words of truth and encouragement.

In a great book entitled Creative Authenticity, artist Ian Roberts (Ian Roberts website) talks about just jumping in, fears and all, to express ourselves.
"Ultimately, it doesn't matter to the world whether you paint or dance or write," says Roberts. "The world will probably get by without the product of your efforts. But that is not the point. The point is what the inner process of following your creative impulses will do to you. It is clearly about process. Love the work, love the process. Our fascination will pull our attention forward. That, also, will fascinate the viewer."
Roberts explores a number of principles essential for creative authenticity.

• Searching for beauty. Beauty is something that seizes your attention, stops you in your tracks, and silences you. It can be the way light filters through the trees in your backyard or the magnificence of a fifteenth century Italian painting. The subject is irrelevant; it is only a vehicle for your attention, to engage the intensity of your feelings. That intensity is what viewers ultimately respond to.
• Communication. Creativity fundamentally involves expressive power; it is the catching of the "gleams of light" that flash across our mind and forming that vision into something.
• Your home turf. It could be a garden. Or a studio. But you need a creative home base that always stays open for your arrival and bestows on you a readiness to begin your work.
• The Van Gogh syndrome. Don't buy into the myth that creativity is the province of tortured geniuses.
• Your craft, your voice. Practice, practice, practice your craft. It gives you fluency in the creative process and in technique. It's technique that gives life to your creative ideas. Learning your craft opens the channel for your voice to flow.
  
• Showing up. "Nothing determines your creative life more than doing it," says Roberts.
• The dance of avoidance. Starting is always a psychologically messy process, because there are no rules surrounding what you want to do. Setting up a dedicated space for the practice of your craft helps you shift gears directly into your creative process.
• Full-time or part-time. You can't expect to fly consistently at a high level of inspiration.
• Follow something along. If you are going to say something authentic, you need to stick with an idea for a while, an idea that has personal resonance.
• Wagon train and scout. Creativity involves the interplay between where you are and where you see yourself going to keep your expression growing. Always be on the lookout for new paths, and observe how others solve the problems you face.
• Working method. Creativity is in the process, not in the finished results.
• Limits yield intensity. Unrestrained freedom is a myth, and it's not productive.
• Being ready to show. Don't spend your time marketing your creations. If you spend it creating, you are investing your work with the authenticity that will draw others to your efforts...
• You are more than creative enough. The question is not whether you are creative enough but whether you will free yourself to express it.
• Finding poetry in the everyday. Develop the power to see the ordinary as poetic.
• Holding the big picture. Always keep a sense of the whole. That commits you to making the moves that will ultimately represent what you see.

Expansion Not Distraction

Ok, so now you’ve taken a fancy to something extra to your usual creative projects and a sense of guilt or confusion sets in…Don’t worry, you’re not alone. Be reassured that you are expanding your creativity, not being distracted from your main focus.

Today’s blog comes in response to something Richard, my hubby, said this morning that rang a bell in me, and I know it will strike a chord with many people reading this. He is a very talented man - he is a great bass player, sound engineer and IT project manager/coach. He recently left the IT world to concentrate on being a live recording sound engineer, but also got into 2 cracking live bands and is also interested in teaching bass. Now he’s concerned that not focussing on one of these activities will be a detriment to the others. NOT TRUE! Some people are best at living a highly varied life, and some are better concentrating on just one thing. Unfortunately, we are ALL socialised to concentrate on one thing!!! We are encouraged in school to streamline and become the best in that field. That is just fine of course, but we have to be open to being just as able to do more than one thing and do them all really well too.

While you are doing something else you are expanding on your current expertise and natural talents. Other types of creativity and studies will almost certainly rub off and even help you solve problems better in your main centre of attention. It can really help encourage a sense of wholesome satisfaction in your life when you expand your horizons.

The key is the understanding and being honest with own self. Creating a sensible life balance, time management system, and realistic goal setting is also essential of course.

Next time you take a fancy to trying out something new remember to say to yourself, “This is expansion, not distraction.” You are then giving yourself permission to explore this area freely and without guilt.

Go for it!

Have a good week :)

PS....now this is taking a risk!!!